Gorgeous work by Franco Grignani, utilizing the specific materiality of film type in the dark room. This is an ad for the Alfieri and Lacroix printing company. 1960. pic.twitter.com/oUqCVnuD1e
A few words about one of my favorite stencil typefaces. Designed by @SNugue & published by @commercialtype, meet Orientation: https://ilovetypography.com/2020/02/15/fonts-in-focus-two/ … pic.twitter.com/bpo1bxmk8I
"When we see freedom in someone’s work, it frees us up; when we see intelligence in someone’s work, it makes us smarter; and when we see vulnerability in the work we feel closer, more human." @JamesVictore's Dangerous Ideas on Design Education: http://bit.ly/DangerousIdeasVictore … pic.twitter.com/ytCjmtWw6a
Ooh, also: I’ve just seen that Amazon reckons there’s a revised edition of Cyrus Highsmith’s book Inside Paragraphs coming out in the summer
Need a quick refresher on the history and principles of Swiss Style? We got you. https://www.printmag.com/typography/swiss-style-principles-typefaces-designers/ … pic.twitter.com/f3zbNAyw6X
Meet Valentyn Tkachensko’s Mak: An experimental font that merges Ukrainian folk tradition + electronic music #TypeTuesday
On day eleven of BHM, we’re celebrating Emory Douglas, artist and minister of culture for the Black Panther Party In honor of legendary artists, BC is hosting it’s first #CloseTheGap design contest. The winner receives a CASH prize and more!
Learn more: http://ow.ly/GtXY30qgGxZ . pic.twitter.com/DB0uLPRsKn